Ik 


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Series 

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Canadian  Instituta  fo '  Historical  Microraproductiont  /  Institut  Canadian  da  microraproductions  hittoriquas 


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I     j      Covers  damaged  / 

' — '      Couverture  endommagee 

I     I      Covers  restored  and/or  laminated  / 
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I     I      Coloured  maps  /  Cartes  g^raphlques  en  couleur 

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I     I      Bound  with  other  material  / 
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causer  de  I'ombre  ou  de  la  distorsion  le  long  de 

la  marge  int^rieure. 

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I     I      Coloured  pages  /  Pages  de  couleur 

I     I      Pages  damaged  /  Pages  endommagees 


D 

y 

n 

D 
D 
D 


D 


Pages  restored  and/or  laminated  / 
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^  nouveau  de  fa^on  a  obtenir  la  meilleurs 
image  possible. 

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best  possible  image  /  Les  pages  s'opposant 
ayant  des  colorations  variables  ou  des  decol- 
orations sont  film^es  deux  fois  afin  d'obtenir  la 
meilleur  image  possible. 


D 


AddKional  commerrts  / 
Commentaires  suppl^mentaires: 


This  iMffl  ii  f  Hmad  it  tht  rtduction  ratio  checktd  btlow/ 

Ce  documeni  est  fUme  bu  taux  de  reduction  iftdiqui  et-dcttous. 

lox  14X  lax  22X 


J 


t2X 


1iX 


20X 


24X 


ax 


32X 


Th*  copy  filmed  har*  hat  b««n  raproduead  thanka 
to  tha  ganaroaity  of: 

D.B.  WaMon  Library 
Univertity  of  Westarn  Ontario 

Tha  imagaa  appaaring  hafa  ara  tfia  baat  quality 
poaalbla  conaldaring  tha  condition  and  lagiblllty 
of  tha  original  copy  and  In  kaoping  with  tha 
fiiming  contract  apaclfieationa. 


Original  capiat  in  printad  papar  eovara  ara  tllmad 
baginning  with  tha  front  eovar  and  anding  on 
tha  iaat  paga  with  a  printad  or  llluatratad  Impraa- 
aion,  or  tha  back  covar  whan  appropriata.  All 
othar  original  copiaa  ara  fllmad  baginning  on  tha 
firtt  paga  with  a  printad  or  llluatratad  impraa- 
alon,  and  anding  on  tha  Iaat  paga  with  a  printad 
or  llluatratad  impraaaion. 


Tha  Iaat  racordad  frama  on  aach  microfleha 
thall  contain  tha  aymbol  -^  Imaaning  "CON- 
TINUED"), or  tha  symbol  ▼  Imaaning  "END"), 
whichavar  appliaa. 

Mapa.  piatat,  charts,  ate,  may  bo  fllmad  at 
diffarant  reduction  ratios.  Thosa  too  larga  to  ba 
antiraly  included  in  one  expoaura  ara  fllmad 
beginning  in  the  upper  left  hend  comer,  left  to 
right  and  top  to  bottom,  as  many  frames  as 
required.  The  following  diagrema  illuatrata  the 
method: 


1  2  3 


1 

2 

4 

5 

L'Mamplair*  fllmt  fut  raproduit  gric*  i  la 
ginAroiita  da: 

D.B.  Waldon  Library 
Univartity  of  Wastarn  Ontario 

Laa  imagat  tuivantas  ont  ttt  raproduitas  avae  la 
plua  grand  loin.  compta  tanu  da  la  condition  at 
da  la  nanata  da  I'axamplaira  film*,  at  an 
eonformlta  avac  laa  eonditiona  du  contrat  da 
fllmaga. 

Laa  axamplalraa  originaux  dont  la  eouvartura  an 
pepiar  aat  Impiimaa  tont  filmts  an  commandant 
par  la  pramiar  plat  at  an  tarminant  toit  par  la 
darnMra  paga  qui  comporta  una  amprainta 
d'impraaaion  ou  d'llluitration,  toit  par  la  sacond 
plat,  aalon  la  cat.  Toui  laa  autra*  axamplairaa 
originaux  aont  filmte  an  commandant  par  la 
pramltra  paga  qui  comporta  una  amprainta 
d'impraaaion  ou  d'illuatration  at  an  tarminant  par 
la  darniara  paga  qui  comporta  una  talla 
amprainta. 

Un  daa  aymbolaa  auivanta  apparaitra  tur  la 
darnitra  imaga  da  chaqua  microficha,  salon  la 
caa:  la  tymbola  — » tignifia  "A  SUIVRE",  la 
symbola  ▼  aignifia  "FIN". 

Laa  cartaa.  planchaa,  tablaaux,  ate.  pauvant  atra 
filmia  i  daa  taux  da  rAduction  diffarents. 
Loraqua  la  documant  ast  trop  grand  pour  itra 
raproduit  an  un  saul  clicht.  il  aat  filma  a  partir 
da  I'angia  aupAriaur  gaucha.  da  gaucha  i  droita, 
at  da  haut  an  baa,  an  pranant  la  nombre 
d'imagaa  ntcaaaaira.  Laa  diagrammaa  suivants 
illuatrant  la  mathoda. 


2 

3 

5 

6 

MldOCOPY    RESOtUTION   TEST   CHART 

(ANSI  ond  ISO  TEST  CHART  No.  2| 


1.0    [fi^  1^ 

2.2 


13.2 
13.6 


^1^1^ 


/IPPLIED  IM^GE     Inc 

1653   EosI   Main   Str«t 

Rochester.    Mew    York  14609        USA 

(716)   482  -  0300  -  Phone 

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pg-Qg^J^aa^^^^^gg 


PIPES   OF    PAN 

BLISS  CARMAN 

Fnt  Volumes  as  fotimas  • 
NOW  READY 

From  tie  Boon  of  Mythi 
in  preparation 
Fkoh  the  Green  Book  of  the  Bards 
From  -.he  Songi  of  the  Sea  Chil- 
dren 
From  the  Boor  of  Gramd  PrI 
From  the  Book  Or   i'ierrot 

L.   C.    PAGE  &  COMPANY 

New  England  Building 
Boston,  Mass. 


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Number  One 

FROM    THE 

BOOK  OF  MYTHS^ 

BY 

B  L  I  S  S     c:  A  I<  M  A  N 

AUTHOR   OF    "  LOW   TIDE   ON 

GRAND  PRfe,"  .<  BALLADS  OF  LOST  1 

J  HAVEN,"  ETC.,  JOINT  AUTHOR 

WITH   RICHARD   HOVEY   OF 

"SONGS   FROM    VAGA- 

BONDIA,"    ETC. 


BOSTON 


>uiccccii 


Copyright,  1S94,  by 
Stcnb  &    K1MDAI.L 

Copyright,  iqoi,  iqoa,  by 
Tub  Kss  I-ss  Pt'Ex  isHiNif  Company  (iNioRKOKATsn) 

Cdpyriglit,  ti>iii,  by 
The  Nokth  American  Rrvikw  PunusHiNG  Company 

(iNCOSrORATBD) 

Copyright,  iQoa,  by 
Houghton,  Mifflin  &  Company 

Copyright,  1902,  bj 
L.  C.  Pagb  &  Company  (Incorporatbo) 

A  U  rightt  rtatn'ed 


Published,   Nuvember,  1909 


1^03  IZ 


To  C.  G.  D.  R. 

<*  For  my  heart  had  a  touch  of  the  woodland  time/ 


Tlu  Okal  Hmu, 

TwilishI  Park  m  lit  CiMMIIt, 

Augmt,  igta. 


PREFACE 


It  is  a  hearty  old  saying  tiiat  '■  Good  wine  needs 
no  bush."  Why,  then,  should  the  master  of  a  road- 
house  hang  out  a  sign,  letting  folk  know  there  is  good 
drink  within  ? 

Consider  the  feelings  of  the  landlord,  poor  man. 
At  once  nettled  and  abashed,  he  exclaims : 

••  Pray  why  should  I  stick  a  bough  over  my  door  ? 
My  tavern  is  well  bespoke  for  miles  about,  and  all 
the  folk  know  I  serve  nothing  but  good,  honest  liquor, 

and  mighty  comforting  it  is  of  a  cold  night,  when 

the  fire  is  bright  on  the  hearth,  or  refreshing  on  i 
hot  day  either." 

"Nay,  but,"  says  the  stranger,  "how  should  a 
traveller  know  of  this )  You  must  advertise,  man. 
Hang  out  your  sig.i  to  attract  the  passer-by,  and  in- 
crease trade.  Trade's  the  thing.  You  should  be 
doing  a  driving  business,  with  a  cellar  like  yours." 


PREFACE 


"Huh,"  replies  the  tavemer,  "I  perceive  th«t  in 
the  city  where  you  come  from  it  may  not  be  a  mark 
of  character  in  a  man  to  rely  wholly  upon  merit,  but 
that  if  one  would  ensure  success,  he  must  sound  a 
trumpet  before  him,  as  the  hypocrites  do,  that  they 
may  have  glory  of  men,  as  the  Word  says." 

"Tut,  man,"  says  the  stranger,  "look  at  your 
friend  John  Doe  under  the  hill  yonder.  Does  a 
wonderful  business.  Famous  all  over  the  country  for 
his  home-brewed  ale,  and  his  pockets  lined  with 
gold." 

"Yes,"  says  the  host,  "John  Doe  is  a  good 
thrifty  man  and  as  fine  a  comrade  as  you*d  wish  to 
find,  selling  his  hundred  thousand  bottles  a  year. 
But  the  gist  of  the  matter  between  us  isn't  all  in 
<|uantity,  IMl  be  bound.  Quality  is  something.  And 
as  for  myself  I  would  as  soon  have  a  bottle  of  wine 
as  a  keg  of  beer  any  day.  Wine  is  the  poetry  of  life, 
in  a  manner  of  speaking,  and  9\e  you  see  is  the  prose, 
■ —  very  good  to  get  along  on,  but  no  sorcery  in  it. 
Three  things,  I  always  say,  a  man  needs  have,  — 
meat  for  his  belly,  a  fire  for  his  shins,  and  generous 
wine  to  keep  him  in  countenance  with  himself.     And 


PREFACE 


that's  no  such  e«sy  nutter  in  a  difficult  world,  I  can 
tell  you.  'Tis  wine  tliat  gives  a  man  courage  and 
romance,  and  puts  heart  in  him  for  deeds  and  ad- 
ventures and  all  manner  of  plain  wholesome  love. 
And  that,  after  all,  is  the  mainspring  with  most  men, 
hide  it  how  they  may.  For  what  ever  was  done, 
that  was  worth  doing,  and  was  not  done  for  a  woman 
or  for  the  sake  of  a  friend,  I  should  like  to  know )  " 

"  Maybe  I  hadn't  thought  of  that,"  says  the 
stranger.  "  You  must  have  tasted  some  rare  wine  in 
your  time." 

"  Not  so  much,"  says  the  other,  "  but  I  was  born 
with  a  shrewd  taste  for  it,  you  may  say.  Moreover 
I  came  of  a  people  who  were  far  farers  in  their  day, 
and  have  been  abroad  myself  more  than  once.  So  it 
comes  you  find  the  foreign  vintages  in  my  bins. 
There's  some  Greek  wine  I  have,  sir,  that's  more 
than  a  century  old,  I'll  wager  ;  and  a  rare  Moon- 
wine,  as  they  call  it,  picked  up  in  an  out-of-the-v 
port,  that  will  make  you  forget  your  sorrow  like  a 
strain  of  music  ;  light  wines  from  France,  too  ;  and  some 
Heather  Brose,  very  old  and  magical,  such  as  the 
little  dark  people  used  to  make  hereabout  in  the  times 


PREFACE 


of  the  Celti  long  igo,  —  and  very  good  tiniea  they 
were  too.  It  is  not  these  days  that  have  all  the 
wisdom  ever  was,  you  may  be  sure." 

"You  are  not  such  a  bad  advocate,  after  all,"  re- 
marks the  stranger.     "You  speak  very  invitingly." 

"  Step  inside."  says  the  landlord. 

Bliss  Carman. 
Ottober  to,  tgo». 


CONTENTS 


Paoi 

rHEFACE     ... 

„  vu 

OVEXLOID 

The  Pipes  or  Pan 

MAtsrAS 

_  •     .     .     .  jj 

Daphne       .... 

The  Lost  Dryad      . 

46 

The  Dead  Faun  . 

50 

At  Ph/edra'j  Tomb 

A  YouNo  Pan's  Pkayer  ^• 

_,  04 

The  Tidings  to  Oiap  .... 

The  Prayer  in  the  Rose  Garden  ....     87 


OVERLORD. 

wviviia  Kvpini  iv    tjii. 

Lord  of  the  graii  and  hill, 
Lord  of  the  rain. 
White  Overlord  of  will, 
Matter  of  pain, 

I  who  am  dust  and  air 
Blown  through  the  balls  of  death. 
Like  a  pale  ghost  of  prayer, — 
I  am  thy  breath. 

Lord  of  the  blade  and  leaf. 
Lord  of  the  bloom. 
Sheer  Overlord  of  grief. 
Master  of  doom. 


OVERLORD 


'ind  < 


Londv  as  wind  or  snow. 
Through  the  vague  world  and  dim, 
Vagrant  and  glad  I  go  ; 
I  am  thy  whim. 


Lord  of  the  storm  and  lull, 
Lord  of  the  sea, 
I  am  thy  broken  gull, 
Blown  far  alee. 


Lord  of  the  harvest  dew. 
Lord  of  the  dawn, 
Star  of  the  palinK  t-lue 
Darkling  and  g    > . 


Lost  on  the  mounta.    height 
Where  the  first  winds  are  stirred. 
Out  of  the  wells  of  night 
I  am  thy  word. 


OVERLORD 


Lord  of  the  haunted  hush, 
Where  raptures  throng, 
I  am  thy  hermit  thruih, 
Ending  no  long. 

Lord  of  the  frost  and  cold. 
Lord  of  the  North, 
When  the  red  sun  growi  old 
And  day  goe«  forth, 

I  shall  put  off  this  girth, — 
Go  glad  and  free, 
Earth  to  my  mother  earth, 
Spirit  to  thee. 


THE    PIPES    OF    PAN. 

This  is  something  that  I  heard, — 
Half  a  cry  and  half  a  word, — 
On  a  magic  day  in  June, 
In  the  ghostly  azure  noon. 
Where  the  wind  among  the  trees 
Made  mysterious  melodies. 
Such  as  tho.'e  which  filed  the  earth 
When  the  elder  gods  had  birth. 

Ah,  the  world  is  growing  old  ! 
Of  the  joys  it  used  to  hold, 
Love  and  beauty,  naught  have  I 
But  the  fragrant  memory. 


Once,  ah,  once,  (ye  know  the  story !) 
When  the  earth  was  in  her  glory, 


THE     PIPES     OF     PAN 


Ere  man  gave  his  heart  to  breed 

Iron  hate  and  heartless  greed. 

Near  a  meadow  by  a  stream 

Quiet  as  an  ageless  dream, 

As  I  watched  from  the  green  rim 

Of  a  beech  grove  cool  and  dim, 

^xusing  in  the  pleasant  shade 

The  soft  leafy  sunlight  made, 

What  shouM  gleam  and  move  and  quiver 

Down  by  the  clear,  pebbly  river. 

Where  the  tallest  reeds  were  growing 

And  the  bluest  iris  blowing, — 

Gleam  a  moment  and  then  pass, 

(Ah,  the  dare-to-love  she  was. 

In  her  summer-fervid  dress 

Of  sheer  love  and  loveliness!) 

Wayward,  melting,  shy,  and  fond. 

Lissome  as  a  bulrush  wand. 

Fresh  as  meadowsweet  new-blown. 

Sandal  lost,  and  loosened  zone, 


iiAl 


THE     PIPES     OF     P, 


Our  own  white  Arcadian 
Touched  with  rose  and  creamy  tan. 
Eyes  the  colour  that  might  fleck 
The  red  meadow  lily's  neck, 
Hair  with  the  soft  silky  curl 
Of  some  strayed  patrician  girl, 
Beech-brown  on  the  sunlit  throat. 
Cheek  of  tawny  apricot. 
Parted  lips  and  breast  aglow,— 
Who  but  Syrinx,  as  ye  know  ! 

Gone,  swift  as  a  darting  swallow, 
What  could  young  Pan  do  but  follow  > 
(Have  ye  felt  the  warm  blood  leap, 
When  the  soul  awakes  from  sleep. 
At  a  glance  from  some  dark  eye 

Of  a  sudden  passing  by  .' 

Known  the  pulse's  hurried  throb 
And  the  breathing's  catch  and  sob. 
When,  upon  his  race  with  Death, 
6 


THE     PIPES     OF     PAN 


Life  the  runner  halts  for  breath, 
Taking  with  a  happy  cry 
His  brief  draught  of  ecstasy  ?) 
Call  I  did,  with  only  laughter 
Blown  back,  as  I  hurried  after ; 
Till  I  reached  the  riverside, 
Where  I  last  had  seen  her  glide 
In  among  the  reeds,  and  there 
Lost  her.     But  a  breath  of  air 
Moved  the  grass-heads,  going  by, 
And  I  heard  the  rushes  sigh. 


I 


So  the  chase  has  always  proved  ; 
And  Pan  never  yet  has  lov^'H, 
But  the  loved  one  all  too  soon 

Merged  in  music  and  was  gone, 

Melti      ike  a  passing  strain. 
Vanished  like  a  gust  of  rain 
Or  a  footfall  of  the  wind. 
Leaving  not  a  trace  behind. 


All  that  once  was  Pitys  stirs 
In  the  soft  voice  of  the  firs. 
Lovers,  when  ye  hear  that  sigh. 
Not  without  a  prayer  pass  by! 
And,  O  lovers,  when  ye  hear. 
On  a  morning  soft  and  clear. 
All  that  once  was  Echo  still 
Wandering  fi-om  hill  t.  ,iill, 

Breathe  a  prayer  lest  ye  ,00  stray, 
Lost  upon  the  mountain  way, 
And  go  seeking  all  your  lives 
Love,  when  but  hi,  ghost  survives! 

Then  a  swaying  river  reed 

From  the  water,  for  my  need. 

In  a  dream  I  blindly  drew. 

Cut  and  fashioned,  ranged'and  blew,- 

Such  a  music  as  was  played 

Never  yet  since  eanh  was  made 
Shrilling,  wild  and  dazed  and  thin, 


THE     PIPES     OF     PAN 


All  my  welling  heart  therein 
Trembled,  till  the  piping  grew 
Pure  as  fire  and  line  as  dew. 
Till  confusion  was  untangled 
From  the  crowding  notes  that  jangled, 
And  a  new-created  world 
To  my  wonder  was  unfurled, 
Sphere  by  sphere,  as  climbing  sense 
Faltered  at  the  imminence 
Of  the  fragile  thing  called  soul 
Just  beyond  oblivion's  goal. 
And  creation's  open  door 
Bade  me  enter  and  explore. 


V',1 


Slowly  hill  and  stream  and  wood 
Merged  and  melted,  for  my  mood. 
With  the  colour  of  the  sun 
In  the  pipe  I  played  upon. 


SWlv  anger  fro«^,, 

^'^-he  great  rote  of  ehe  sea, 
L^'^""=^'"-'P-<>^thestrea:, 
J -^-ood  bird's  ..ddengJea; 
O-he  gusts  that  swoop  and  pass 
Jh-ghthewpeandseeding;;,,. 
^-^-rh^th.  and  colour  east        • 
^" 'he  perfect  mould  at  Jast. 

S'°«"ylcamebacktopoise,_ 
;^  new  self  w,h  other  joys, 
O'her  raptures  than  before, 
H-"ingiess  and  helping  mo,, 
J -"'d  strive  no  more  for  gain. 
Be.'.g  was  m,  true  domain,        ' 
And  the  smiling  pe^ee  whatever 
J" 'he  end  outruns  endeavour 
^' was  not  enough  to  do  i 


THE     PIPES     OF     PAN 


I  must  feel,  but  reason  too,— 
Find  the  perfect  form  and  fashion 
For  the  elemental  passion  ; 
Else  must  blemish  still  be  hurled 
On  the  beauty  of  the  world,— 
Gloom  and  clang  and  hate  alloy 

Colour,  melody,  and  joy. 

And  the  violence  of  error 

Fill  the  earth  with  sound  and  terror. 

So  I  felt  the  subtle  change, 
Large,  enduring,  keen,  and  strange; 
And  on  that  day  long  ago 
I  became  the  god  ye  know 
Made  by  music  out  of  man. 
Now  ye  have  the  pipes  of  Pan, 
Which  ye  call  by  Syrinx'  name, 
Keeping  bright  a  little  fame 
Few  folk  ever  think  upon. 
Ah,  but  where  is  Syrinx  gone  ? 


't''" '"'•"•'"''"u^ilight  ,t,U 

'^'""»l'v.arders.t,i„gf„, 
Every  siy  d,vi„i,y, 

"""I"  aujare  if  tach 

'^"'""^'"P'n.tcs,  and  beech; 

y  *'""'"  f"""'-''C' and  „ade 
^i'»n  mu»c  in  ,h,  ,kade. 

^•^.n  ye  hear  the  pipes  of  Pan, 
Marvel  not  that  .hey  shouid  hold 
S^ngsadandcal^nandold. 
^•k<  an  eerie  minor  strain 

R-ni„g  through  the  strong  refrain. 
All  there,,  of  human  woe 
Pan  has  fathomed  long  ago, 
■^"  of  sorrow,  all  of  iU, 

Kindly  Pan  remembers  still- 
D'"PP0intment.  grief,  disdain. 


THE     PIPES     OF     PAN 


Stifled  impulse  and  bicalc  pain,— 
Pan  has  learned  them ;  Pan  has  known 
Hurts  and  passions  of  his  own. 

Thus  Pan  Icnows  the  secret  hid 
Under  the  Great  Pyramid  j 
Why  young  lovers  for  their  love 
Think  the  stars  are  light  enough, 
And  they  very  well  may  house 

In  the  odorous  fir  boughs, 

Think  there  is  no  light  of  day 
With  the  loved  one  gone  away, 
Use  in  life,  nor  pleasure  more 
By  the  hearth  or  out  of  door,— 

Since  all  things  begin  and  end 

But  to  glad  the  little  friend. 

And  all  gladness  is  forgot 

Where  the  little  friend  is  not. 


?; '"'  ""  ""g'c  or  hi,  „t. 

i"'  °  ''""•''■"'•acted  „,a„, 
^hcn  you  hear  the  pipe,  o;p,„ 

^-th^gsure  and  strong  and  Md 
^'ke  a  dominant  ,,^^,.^ 

""""'•ng  the  minor  strain. 

Come  into  the  woods  once  more, 
^ve  the  fire  and  Cose  the  door 

!;-  fo--  pace  upon  the  road     '     ' 
];°rour  larger  next  abode. 
T^ho^gh  the  world  should  Jay  a  fin 

°;;;---.o.d,ouC/^" 

^-^ha)i  neither  halt  nor  tarV 
'4 


(Little  be  ,hc  load  ye  carry  f) 
When,,  hear  .he  pipe,  of  p„ 
Shnll  and  pl„ding  in  ,hc  van 

T.S  the  music  that  ha.  freed  you 
F'O".  the  old  life,  and  .hall  lead  you, 
Gcm'y  wise  and  .strongly  fo„j, 
'  °  ""^  ef"ter  life  beyond. 
Yet  I  whi.per  to  you,  u  Stay  • 
That  new  life  is  here,:   toKlay 

Is  your  home,  whose  roof  shall  rise 
f^rom  the  ground  before  your  eyes.  ■' 

For  Pan  loves  you  and  is  near, 
Though  no  music  you  should  hear. 
Hearken,  hearken,  it  will  grow, 
Sp'te  of  bitterness  and  woe 

Clear  and  sweet  and  undist;aught, 

(T. sold  earth's  impassioned  thought,) 
And  the  sorry  heart  shall  learn 
What  no  rapture  could  discern. 


iiiij 


THE     PIPES    or     PAN 


All  the  mutic  ye  have  heard  : 
Mountain  brook  and  orchard  bird  i 
Fiferi  in  the  April  iwamp, 
Fiddlen  leading  Augutt'i  pomp  i 
All  the  mellow  flutei  of  June 
Melting  on  the  mating  tune; 
Pale  tree  cricket  with  his  bell 
Ringing  ceasclesily  and  well, 
Sounding  lilrer  to  the  braii 
Of  hit  cousin  in  the  grass  ; 
Hot  cicada  clacking  by, 
When  the  air  is  dusty  dry  ; 
Old  man  owl,  with  noiseless  flight, 
Whoo-hoo-hoo!n^    a  the  nigl.tj 
Surf  of  ocean,  sough  of  pine  i 
Note  of  warbler,  sharp  and  fine ; 
Rising  wind  and  falling  rain. 
Lowing  cattle  on  the  plain) 
And  that  hardly  noticed  sound 
When  the  apples  come  to  grond, 
i6 


THE     PIPES    OF     PAN 


On  the  long,  (till  afternoons. 
In  the  ihelter  of  the  dunci ; 
Chir  and  guggle,  bark  and  cry, 
Bleat,  hum,  twitter,  coo  and  sigh. 
Mew  and  belling,  hoot  and  bay. 
Clack  and  chirrup,  croak  and  neigh, 
Whoof  and  cackle,  whine  and  creak. 
Honk  and  chatter,  caw  and  squeak ; 
Wolf  and  eagle,  mink  and  moose, 
Each  for  his  own  Joyous  use 
Uttering  the  heart's  desire 
As  the  season  bade  aspire  j 
Folk  of  meadow,  crag,  and  dale. 

Open  barren  and  dee"  si-ale, 

Every  diverse  rhythm  and  time 
Brought  to  order,  ranged  in  rhyme  : 
All  these  bubbling  notes  once  ran 
Thrilling  through  the  pipes  of  Pan. 


17 


THE     PIPES     OF     PAN 


Think  you  Pan  forgets  the  tune 
Learned  beneath  the  slim  new  moon, 
When  these  throbbings  all  were  blent 
To  the  dominant  intent  ? 


All  the  beauties  ye  have  seen  ; 
Autumn  scarlet,  young  spring  green  ; 
Floating  mists  that  drift  and  follow 
Up  the  dark  blue  mountain  hollow ; 
Yellow  sunlight,  silver  spray  ; 
The  wild  creatures  at  their  play  j 
Through  still  hours  the  floating  seed 
Of  the  thistle  and  milkweed, 
And  the  purple  asters  snowed 
In  a  drift  beside  the  road  ; 
Swarthy  fern  by  pebbly  shoal ; 
Mossed  and  mottled  beech-tree  bole  ; 
Fireflies  in  a  dewy  net. 
When  the  summer  eves  are  wet  j 
All  the  bright,  gay-coloured  things 
iS 


THE     PIPES     OF     PAN 


Buoyed  iu  aii   )n  balanced  wings; 
All  earth's  v  under;  then  the  sea 
I.i  Ills  'ui.e  immensity 
Only  the  great  stars  can  share, 
And  the  life  uncounted  there, 
Where  the  coral  gardens  lie 
And  the  painted  droves  go  by. 
In  the  water-light  and  gloom. 
Silent  till  the  day  of  doom  : 
These  have  lent,  as  beauty  can. 
Colour  to  the  pipes  of  Pan. 

Think  you  Pan  forgets  the  key 
Of  their  primal  melody, — 
Phrase  and  motive  to  revive 
Every  drooping  soul  alive  ? 


All  the  wilding  rapture  shared 
With  the  loved  one,  when  ye  dared 
(Lip  to  lip  and  knee  to  knee) 

'9 


THE     PIPES     OF     PAN 


Force  the  door  of  destiny, — 
Greatly  loved  and  greatly  gave, 
Too  divine  to  stint  or  save  j 
All  the  passion  ye  have  poured 
For  the  joy  of  the  adored. 
Spending  without  thought  or  measure 
Young  delight  and  priceless  treasure. 
Grown  immortal  in  the  hour 
When  fresh  manhood  came  in  flower  ; 
All  the  ecstasy  unpent 
From  sweet  ardours  finding  vent 
In  the  coming  on  of  spring, 
When  the  rainy  uplands  ring, 
And  the  misty  woods  unfold 
To  the  magic  as  of  old  j 
All  the  hot,  deKcious  swoon 
Of  the  teeming  summer  noon. 
When  the  year  is  brought  to  prime 
By  the  bees  among  the  thyme, 
And  each  mortal  heart  made  over 


THE     PIPES     OF     PAN 


By  the  wind  among  the  clover : 
All  these  glad  things  ye  shall  find 
With  a  free  and  single  mind, 
Dreaming  eye  and  cheek  of  tan, 
Lurking  in  the  pipes  of  Pan. 

So  the  forest  wind  went  by, — 
Half  a  word  and  half  a  sigh, — 
On  a  magic  night  in  June, 
When  the  wondrous  silent  moon 
Flooded  the  blue  mountain  clove. 
And  the  stream  in  my  beech  grove 
Uttered  secrets  strange  and  deep. 
Like  one  talking  in  his  sleep. 

Would  ye  enter,  maid  and  man, 
The  novitiate  of  Pan  ? 
Know  the  secret  of  the  strain 
Lures  you  through  the  summer  plain, 
Guess  the  meaning  of  the  thrill 


I: 

t 

!    I 


THE     PIPES     OF     PAN 


Haunts  you  on  the  autumn  hill  ? 
Would  ye  too  contrive  a  measure 
Out  of  love,  to  fill  your  leisure  ? 
Learn  to  fashion  a  flute-reed 
That  should  answer  to  love*s  need. 
When  the  spirit  in  you  cries 
To  be  given  form  and  guise 
Others  may  perceive  and  love, 
Fair  and  much  accounted  of, — 
Craves  to  be  the  tenant  heart 
In  some  wild,  new,  lovely  art. 
Such  as  haunts  the  glades  of  spring 
When  the  woodlands  bloom  and  ring  ? 


While  the  silver  night  still  broods 
On  the  mountain  solitudes, 
And  the  great  white  planet  still 
Is  undimmed  upon  the  hill, — 
Ere  a  hint  of  subtile  change 
Steals  across  the  purple  range 


THE     PIPES     OF     PAN 


To  arouse  the  sleeping  bird, 

Hear  the  wise  old  master's  word. 
When  he  leads  the  pregnant  notes 
From  the  reedy  golden  throats. 
And  the  traveller,  in  their  spell, 
Halts,  and  wonders  what  they  tell ! 

Here  is  Pan's  green  flower,  the  earth. 
He  has  tended  vithout  dearth. 
Brought  to  blossom,  fruit,  and  seed 
By  the  sap's  imperious  need. 
When  the  season  of  the  sun 
Sets  its  fervour  free  to  run. 
Sap  of  tree  and  pith  of  man. 
Ah,  but  they  are  dear  to  Pan  f 
Not  a  creature  stirs  or  moves. 
But  Pan  heartens  and  approves  ; 
Not  a  being  loves  or  dies. 
But  Pan  knows  the  sacrifice. 
Man  or  stripling,  wife  or  maid, 

'3 


i:' 


THE     PIPES     OF     PAN 


Pan  is  ever  by  to  aid  ; 

And  no  harm  can  come  to  you, 

But  his  great  heart  feels  it,  too. 

Love's  use  let  the  joiner  prove 
By  the  fit  of  tongue  and  groove; 
Or  the  smith,  whose  foi^e's  play 
Stubborn  metal  must  obey ; 
Let  the  temple-builders  own, 
As  they  mortise  stone  to  stone  ; 
Or  the  sailor,  when  he  reeves 
Sheet  and  halliard  through  the  sheaves  j 
Or  the  potter,  from  whose  wheel 
Fair  and  finished  shapes  upsteal, 
As  by  magic  of  command. 
Guided  by  the  loving  hand. 


Ye  behold  in  love  the  tether 
Binding  the  great  world  together; 
For  without  that  coil  of  wonder 


THE     PIPES     OF     PAN 


The  round  world  would  fall  asunder, 
And  your  hearts  be  filled  with  sadness 
At  a  great  god's  seeming  madness, 
Where  they  now  have  peace,  and  hope, 
Somewhere,  somehow,  time  will  ope, 
And  the  loneliness  be  sated. 
And  the  longing  be  abated 
In  the  loved  one,  lovely  past 
All  imagining  at  last. 
Melting,  fragrant,  starry-eyed. 
Like  a  garden  in  its  pride. 
Odorous  with  hint  and  rapture 
Of  soft  joys  no  word  can  capture. 

Ah,  the  sweet  Pandean  strain  ! 
He  who  hears  it  once  shall  gain 
Freedom  of  the  open  door. 
Willing  to  go  back  no  more. 


iW 


»s 


THE     PIPES     OF     PAN 


When  ye  hear  the  sea  p.pes  ihunder. 
Bow  the  loving  heart  in  wonder ; 
When  ye  hear  the  wood  pipes  play, 
Lift  the  door  latch  and  away  ; 
When  ye  hear  the  hill  pipes  calling. 
Where  the  pure  cold  brooks  are  falling. 
Follow  till  your  feet  have  found 
The  desired  forgotten  ground, 
And  ye  know,  past  all  unlearning, 
By  the  raptured  quench  of  yearning, 
Wnat  the  breath  is  to  the  reed 
Whence  the  magic  notes  are  freed, — 
What  new  life  the  gods  discover 
To  the  loved  one  and  the  lover. 
When  their  fabled  dreams  come  true 
In  the  wondrous  fair  and  new. 


For  the  music  of  the  earth. 
Helping  joy-of-heart  to  birth, 
(Field  note,  wood  note,  wild  or  mellow, 
26 


THE     PIPES     OF     PAN 


Bidding  all  things  fare  and  fellow,) 

Meana  that  wisdom  lurks  behind 

The  enchantment  of  the  mind  j 

And  your  longing  keen  and  tense 

Still  must  trust  the  lead  of  sense, — 

Hint  of  colour,  form,  and  sound, — 

Till  it  reach  the  perfect  round, 

And  completed  blend  its  strain 

With  the  haunted  pipes  again. 

Ye  must  learn  the  lift  and  thrill 

That  elate  the  wood  pipes  still ; 

Feel  the  ecstasy  and  shiver 

Of  the  reed  notes  in  the  river; 

Shudder  to  the  minor  trace 

In  the  sea's  eternal  bass. 

And  give  back  the  whole  heart's  treasure 

To  supreme  the  music's  measure, 

Glad  that  love  should  sink  and  sound 

All  the  beauty  in  earth's  bound. 


(  ! 


a 


! 


27 


fni 


THE     PIPES     OF     PAN 


All  this  loveliness  which  ran 
Searching  through  the  pipes  of  Pan,- 
AU  this  love  must  merge  and  blend 
With  Pan's  piping  in  the  end. 
All  the  knowledge  ye  draw  near 
At  the  ripening  of  the  year, 
Living  one  day  at  a  time, 
Innocent  of  fear  or  crime, 
(When  the  mountain  slopes  put  on 
Th.  ir  brave  scarlet  in  the  sun, 
When  the  sea  assumes  a  b'ue 
Such  as  April  never  knew. 
And  the  marshes,  fields,  and  skies 
Sing  with  colour  as  day  dies,) 
Peaceful,  undistracted,  free. 
In  your  earth-born  piety  ; 
All  the  love  when  friend  for  friend 
Dared  misfortune  to  the  end, — 
Fronted  failure,  flouted  harm. 
For  the  sake  of  folding  arm, — 
28 


L 


THE     PIPES     or     HAN 


Bravelier  trod  the  earth,  and  bolder, 
For  the  touch  of  hand  on  shoulder; 
All  the  homely  smiles  and  tears 
Ever  given  childish  years  ; 
Every  open,  generous  deed 
Lending  help  to  human  need  ; 
Every  kindliness  to  age. 
Every  impulse  true  and  sage, 
Lifting  concord  out  of  strife. 
Bringing  beauty  into  life  : 
These  no  feeble  faith  can  ban 
Ever  from  the  pipes  of  Pan. 


Think  you  Pan  forgets  the  scheme 
Or  the  cadence  of  his  theme  ? 
Ah,  your  wit  must  still  discover 
No  mere  madness  of  a  lover. 
Headstrong,  whimsical,  and  blinr*. 
But  a  prompting  sane  and  kind. 
Scope  and  purpose,  hint  and  plan, 
29 


u 

i  i' 


i  I 


THE     IMPES    OF     PAN 


Lurking  in  the  pipes  of  Pan  ; 
Calling  ever,  imooth  and  clear. 
Courage  to  the  heeding  ear ; 
Fluting  ever,  sweet  and  high. 
Wisdom  to  the  passer-by  ; 
Sounding  ever,  soft  and  far. 
Happiness  no  grief  can  mar. 


This  enchantment  Pan  bequeaths 
Unto  every  lip  that  breathes  ■, 
Cunning  unto  every  hand 
Agile  under  will's  command ; 
Unto  every  human  heart 
The  inheritance  of  art. 
Lighted  only  by  a  gleam 
Of  the  dear  and  deathless  dream,- 
Power  out  of  hurt  and  stain 
To  bring  beauty  back  again. 
And  life's  loveliness  restore 
To  a  toiling  age  once  more. 

30 


THE     I"  I  P  V.  S     OF     HAN 


Yei,  the  world  is  growing  old, 
But  the  joys  it  used  to  hold. 
Love  and  beauty,  only  grow 
Greater  as  they  come  and  go, — 
Larger,  keener,  and  more  splendid. 
Seen  to  he  superbly  blended. 
As  the  cadenced  years  go  by. 
Into  chord  and  melody. 
Strong  and  clear  as  ever  ran 
Over  the  rude  pipes  of  Pan. 


So  thi  music  passed  and  ditd 
In  the  dark  green  moun^ j:n  side; 
The  entranced  ravine  took  on 
A  new  purple,  faint  and  uan  ; 
And  1  heard  across  the  huih 
A  far  iolitary  thrush 
From  the  hemlocks  deep  and  still 
Fluting  day  upon  the  hill. 


MARSYAS. 

In  Celsens  by  Meander  lived  a  youth  once  long 

ago. 
And  one  passion  great  and   splendid  brimmed 

his  heart  to  overflow, — 
Filled  the  world  for  him  with  beauty,  sense  and 

colour,  joy  and  glow. 


Not  ambition  and  not  power,  love  nor  luxury 

nor  fame. 
Beckoned  him  to  join  their  pageant,  summoned 

Marsyas  by  name. 
Bidding    unre'.uctant    spirit    dare    to   keep    the 
soaring  aim ; 


32 


M  A  RS  r  A  S 


But  the  sorceries  of  music,  note  and  rapture, 

tone  anc*  thrill, 
Sounding  the  serene  enchantment  over  meadow, 

stream  and  hill, 
Blew  for  him  the  undesisting  magic  call-note, 

followed  still. 

And  he  followed.     Heart  of  wonder,  how  the 

keen  blue  smoke  upcurled 
From  the  shepherd  huts  to  heaven  !     How  the 

dew  lay  silver-pearled 
Where  sleek  sided  cattle  wandered  through  the 

morning  of  the  world  ! 


On  a  stream  bank  lay  the  idler  dreaming 
dreams  —  for  it  was  Spring  — 

And  he  heard  the  frogs  in  chorus  make  the 
watery  marshes  ring ; 

Heard  new  comers  at  their  nesting  in  the  vine- 
yards pipe  and  sing ; 

33 


M  A  R  S  Y  AS 


Heard  the  river  lisp  below  him ;  heard  the  wind 

chafe  reed  on  reed  j 
Every   earth-imprisoned   creature   finding   vent 

and  voice  at  need. 
Ah  !  if  only  so  could  mortal  longing  and  delight 

be  freed ! 

Hark  !  What  piercing  unknown  cry  comes  steal- 
ing o'er  the  forest  ground. 

Pouring  sense  and  soul  together  in  an  ecstasy 
new-found  ? 

Dream's  fulfilment  brought  to  pass  and  life 
untethered  at  a  bound  ! 

Then  it  pauses,  and  the  youth  beyond  the  rivcr- 

bend  perceives 
A  divine  one  in  her  beauty  stand,  half-hidden 

by  the  leaves. 
Fingering  a  wondrous  wood-pipe,  whence  the 

clear  sound  joys  or  grieves. 
34 


ll[ 


M  A  R  S  y  A  S 


As  he  looked,  entranced    and    musing   at  the 

marvel  of  the  strain, 
All  her  loveliness  uncinctured  with  a  madness 

touched  his  brain, 
And  love,  like  a  vernal  fever,  dyed  him  with  its 

scarlet  stain. 


But  Athene,  glancing  downward  in  the  silver 

of  the  stream. 
As  she  fluted,  saw  her  perfect  mouth  distorted 

by  a  seam ; 
Faltered,  stopped,  and,  disconcerted,  seemed  to 

ponder  half  in  dream 


For  a  rueful  moment ;  and  then  with  reluctance 

tossed  the  reed 
She  had   fashioned  in  a  happy  leisure  mood  to 

serve  her  need 
Back  into  the  tranquil  river,  nothing  but  a  river 

weed, 

35 


MARSYAS  

All  the  cunning  life  that  filled  it  quenched  and 

spilt  and  flung  away, 
To   go  seaward   to   oblivion    on   a  wandering 

stream.      But  stay  ! 
The  young  Phrygian  lad  has  seen  it,—  marked 

the  current  set  his  way, — 

Stooped  and  picked  it  from  the  water  ;  put  the 

treasure-trove  to  lip ; 
Blown  his  first  breath,  faint  yet  daring  -,  felt  the 

wild  notes  crowd  and  slip 
Into    melody   and   meaning   from  each  testing 

finger-tip. 

Then,   ah,  then   had   mortal  spirit  sweep  and 
room  at  last  to  range 

The  lost  limits  of  creation  and  the  borderlands 
of  change, 

AH   earth's  loveliness  transmuting  into   some- 
thing new  and  strange ; 
36 


M  A  R  S  Y  A  S 


All  of  beauty,  all  of  knowledge,  all  of  wonder, 

fused  and  caught 
In  t^e  rhythmus  of  the  music,  weaving  out  of 

sense  and  thought 
And  a  touch  of  love  the  fabric  out  of  which- the 

world  was  wrought. 

And  the  joy  of  each  new  cadence,  as  the  glad 
notes  pressed  and  cried. 

Eager  for  the  strain's  fulfilment,  as  they  rose 
and  merged  and  died 

In  the  music's  utmost  measure,  filled  the  rose- 
grey  mountain  side, — 


Touched  the  sheep-bells  in  the  meadow,  moved 

the  rushes  in  the  stream, 
And  suffused  the  youth  with  glory  as  he  passed 

from  theme  to  theme; 
Made  him  as  the  gods  of  morning  in  the  ampler 

air  of  dream. 

37 


M ARS Y AS 


Ah,  what  secret,  what  enchantment    so  could 

help  the  human  need. 
Save  the  breath  of  life  that  lingered  in  the  hollow 

of  the  reed, 
Since  the  careless  mouth  of  beauty  blessed  it  — 

with  so  little  heed  ? 

There  he    stood,  a   youth   transfigured    in  the 

young  world's  golden  glow. 
Made    immortal    in  a  moment  by  the  music's 

melting  flow. 
Pattern  of  the  artist's  glory  for  the  after  years 

to  know. 


There  he  stands  for  us  in  picture,  with  the  pipe 

whereon  he  plays  i 
The   slow,  large-eyed  cattle  wonder,  and    the 

flocks  forget  to  graze. 
While  upon  the  hill  a  shepherd  turns  and  listens 

in  amaze. 

38 


M  ARS  Y  A  S 


In  the  woods  the  timid  creatures,  reassured, 
approach  and  peer, 

Half  aware  the  charm's  allurement  they  must 
follow  as  they  hear 

Is  the  first  far-looked-for  presage  of  the  banish- 
ment of  fear. 

Silence  falls  upon  the  woodland,  quiet  settles  on 

the  plain ; 
Earth   and  air   and   the  blue    heaven,  without 

harm  or  taint  or  stain, 
Are  restored  to  their  old  guise  of  large  serenity 

again. 


Thus  the  player  at  his  piping  in  the  early  mode 

and  grave 
Took  from  Wisdom  the   inventress  what  the 

earth  in  bounty  gave. 
And  therein  to  round  completion  put  the  beating 

heart  and  brave. 

39 


M  ARS Y  AS 


So,  you  artists  and  musicians,  earth  awaits  per- 
fection still ; 

Wisdom  tarries  by  the  brookside,  beauty  loiters 
on  the  hill, 

For  the  love  that  shall  reveal  them  writh  the  yet 
undreamed-of  skill. 

Love   be   therefore   all   your  passion,  the  one 

ardour  that  ye  spend 
To  enhance  the  craft's  achievement  with  signi- 

cance  and  trend. 
Making  faultless  the  wild  strain  that  else  were 

faulty  to  the  end. 


Love  must  lend  the  magic  cadence  —  that  un- 
earthly dying  fall 

When  the  simple  sweet  earth-music  takes  us 
captive  past  recall, 

And  the  loved  one  and  the  lover  lose  this  world, 
nor  care  at  all. 


DAPHNE. 

I  know  that  face ! 

In  some  lone  forest  place, 

When  June  brings  back  the  laurel  to  the  hills. 

Where  shade  and  sunlight  lace. 

Where  all  day  long 
The  brown  birds  make  their  song  — 
A  music  that  seems  never  to  have  known 
Dismay  nor  haste  nor  wrong  — 


I  once  before 

Have  seen  thee  by  the  shore. 

As  if  about  to  shed  the  flowery  guise 

And  be  thyself  once  more. 


D A  PH  KE 

Dear,  shy,  toft  face. 

With  just  the  elfin  trace 

That  lends  thy  human  beauty  the  last  touch 

Of  wild,  elusive  grace  ! 

Can  it  be  true, 

A  god  did  once  pursue 

Thy  gleaming  beauty  through  the  glimmering 

wood, 
Drenched  in  the  Dorian  dew, 

Too  mad  to  stay 
His  hot  and  headstrong  way. 
Demented  by  the  fragrance  of  thy  flight. 
Heedless  of  thy  dismay  ? 


But  I  CO  thee 

More  gently  fond  would  be, 

Nor  less  a  lover  woo  thee  with  soft  words 

And  woodland  melody ; 


DAPHNE 


Take  pipe  and  play 

Each  forest  fear  away } 

Win  thee  to  idle  In  the  leafy  ahade 

All  the  long  Summer  day  ; 

Tell  thee  old  tales 

Of  love,  that  still  avails 

More  than  all  mighty  things  In  this  great  world, 

Still  wonderworks  nor  fails ; 

Teach  thee  new  lore. 
How  to  love  more  and  more, 
And  find  the  magical  delirium 
In  joys  unguessed  before. 

I  would  try  over 

And  over  to  discover 

Some  wild,  sweet,  foolish,  irresistible 

New  way  to  be  thy  lover — 


43 


DAPHNE 

New,  wondrout  wiyt 

To  fill  thy  golden  dr.y», 

Thy  lovely  pagan  body  with  delight. 

Thy  lovinn;  heart  with  praise. 

For  I  would  learn. 

Deep  in  the  brookside  fern. 

The  magic  of  the  syrinx  whispering  low 

With  bubbly  fall  and  turn  ; 

Mock  every  note 

Of  the  green  woodbird's  throat, 

Till  some  wild  strain,  impassioned  yet  serene. 

Should  form  and  float 


Far  through  the  hills, 

Where  mello*  sunlight  fills 

The  world  with  joy,  and  from  the  purple  vines 

The  brew  of  life  distils. 


DAPHNE 


Ah,  then  indeed 
Thy  heart  should  have  no  need 
To  tremble  at  a  footfall  In  the  b  <>"- 
And  bid  thy  bright  limbi  speed. 

But  night  would  come, 

And  I  thould  make  thy  home 

In  the  deep  pine»,  lit  by  a  yellow  »tar 

Hung  in  the  dark  blue  dome  — 

A  fragrant  house 

Of  woven  balsam  boughs. 

Where  the  great  Cyprian  mother  should  receive 

Our  warm  unsullied  vowi. 


45 


THE   LOST   DRYAD. 

Where  are  you  gone  from  the  forest, 
Leaving  the  mountain-side  lonely 
And  all  the  beech  woods  deserted, 
O  my  dear  Daphne  ? 

All  the  day  long  I  go  seeking 
Trace  of  your  flowerlilce  footprint. 
Will  not  the  dew  on  the  meadow 
Tell  tale  of  Daphne  ? 

Will  not  the  sand  on  the  sea-shore 
Treasure  that  magical  impress 
For  the  disconsolate  longing 
Lover  of  Daphne } 


46 


THE     LOST     DRVAD 


Will  not  the  moss  and  the  fern-bed 
Bearing  the  mould  of  her  beauty, 
Tell  me  where  wandered  and  rested 
Rose-golden  Daphne  ? 

All  the  night  through  I  go  hearkening 
Every  wild  murmurous  echo, — 
Hint  of  your  laughter, —  the  birdlike 
Voice  of  my  Daphne. 

Why  do  the  poplar  leaves  whisper 
Things  to  themselves  in  the  silence. 
Though  no  wind  visits  the  valley. 
Daphne,  my  Daphne  ? 

Listen  !  I  hear  their  small  voices, 
An  elfin  multitude,  mingle. 
Lisping  in  silver-leaf  language, 
"  Daphne,  O  Daphne !  " 


47 


THE     LOST     DRYAD 


Listen  !  I  hear  the  cold  hill-brook 
Plash  down  the  clove  on  its  pebbles, 
And  the  ravine  drenched  in  moonlight 
Echoing,  "  Daphne !  " 

"  Daphne,"  the  rain  says  at  nightfall ; 
«  Daphne,"  the  wind  breathes  at  morning ; 
And  a  voice  troubles  the  hot  noon 
Uttering  "  Daphne." 

Ah,  what  impassioned  remembrance. 
In  the  dark  pines  in  the  starlight, 
Touches  the  dream  of  your  wood-thrush, 
O  my  lost  Daphne, 


Dyeing  his  sleep  like  a  bubble 
Coloured  for  joy,  and  the  note  comes, 
Golden,  enchanted,  eternal. 
Calling  for  Daphne ! 


THE     LOST     DRYAD 


O  Mother  Earth,  at  how  many 
Thresholds  of  lone-dwelling  mortals 
Must  I,  a  wayfarer,  tarry, 
Asking  for  Daphne  ?  — 


How  many  times  see  their  faces 
Fade  to  incredulous  wonder. 
Hearing  in  some  remote  vale 
The  story  of  Daphne, 

Ere  I  at  last  through  the  twilight 
Hear  the  soft  rapturous  outcry. 
And  as  of  old  there  will  greet  me 
Far-wandered  Daphne  ? 


49 


THE    DEAD    FAUN. 

Who  hath  done  this  thing  ?     What  wonder  is 

this  th-it  lies 
On  the  green  earth  so  still  under  purple  skies, 
Like  a  hyacinth  shaft  the  careless  mower  has 

cut 

And  thought  of  no  more  ? 


Who  hath  wrought  this  pitiful  wrong  on  the 

lovely  earth  ? 
What  ruthless  hand   could   ruin  that  harmless 

mirth  ? 
O  heart  of  things,  what  undoing  is  here,  never 

now 

To  oe  mended  more ! 


THE     DEAD     FAUN 


No  more,  O  beautiful  boy,  shall  thy  fleet  feet 

stray 
Through  the  cool  beech  wood  on  the  shadowy 

mountain  way, 
Nor  halt  by  the  well  at  noon,  nor  trample  the 

flowers 

On  the  forest  floor. 

Thy  beautiful   light-seeing  gold-green  eyes,  so 


When  day  came  over  the  hill,  so  wondrous  sad 
When  the  burning  sun  went  slowly  under  the 
sea. 

Shall  look  no  more. 


THE     DEAD     FAUN 

Thy  nimble  fingers  that  plucked  the  fruit  from 

the  bough, 
Or  fondled  the  nymph's  bright  hair  and  filleted 

brow. 
Or  played  the  wild  mellow  pipe  of  thy  father 

Pan, 

Shall  play  no  more. 


Thy  sensitive  ears  that  knew  all  the  speech  of 

the  wood. 
Every  call  of  the  birds  and  the  creatures,  and 

understood 
What   the  wind   to   the  water  said,  what  the 

river  replied, 

Shall  hear  no  more. 


THE     DEAD     FAUN 


Thy  scarlet  and  lovely  mouth  which  the  dryadi 

knew, 
Dear  whimsical  ardent  mouth  that  love  spoke 

through. 
For  all  the  kisses  of  life  that  it  took  and  gave. 
Shall  say  no  more. 

Who   hath    trammelled   those   feet  that    never 

again  shall  rove  ? 
Who  hath  bound  these  hands  that  never  again 

shall  move  ? 
Who  hath  quenched  the  lamp  in  those  eyes  that 

never  again 

Shall  be  lighted  more? 


53 


THE     DEAD     FAUN 


Who  hath  stopped  those  ears  from  our  heart- 
broken words  forever  ? 

Who  hath  sealed  that  wonderful  mouth  with  its 
secret  forever  ? 

Who   hath   touched   this  innocent  being  with 
pitiless  death, 

And  he  is  no  more  i 


He  wras   fair  as  a   mortal  and  spiritual  as  a 

flower  i 
He  knew  no  hate,  but  was  happy  within  the 

hour. 
The  Gods  had  given  him  beauty  and  freedom 

and  joy. 

Could  t'-iey  give  no  more  f 


THE     DEAD     FAUN 


Is  all  their  wisdom  and  power  >o  fond  a  thing  ? 
Must  he  perish,  nor  ever  return  with  returning 

Spring, 
But  be  left   like  a  dead-ripe  fruit  on  the  ground 

for  a  stranger 

To  find  and  deplore  ? 

They  have  given  to  mortal  man  the  immortal 

scope, 
The  perilous  chance,  unrest  and  remembrance 

and  hope. 
That  imperfection  may  come  to  perfection  still 
By  some  fabled  shore. 


55 


THE     DEAD     FAUN 


Did  they  give  this  being,  this  marvelloui  work 

of  their  hands, 
No  breath  of  the  greater  life  with  itt  grief  and 

demands  ? 
Do  beauty  and  love  without  bitter  knowledge 

attain 

This  and  no  more  ? 

The  wind  may  whisper  to  him,  he  will  heed 

no  more ; 
The  leaves    may   murmur  and  lisp,  he  will 

laugh  no  more ) 
The  oreads  weep  and  be  heavy  at  heart  for 

him, 

He  will  care  no  more. 


S6 


THE     DEAD     FAUN 


The  reverberant  thruihet  may  peal  from  the 

hemlock  gloomt, 
The  lummer  doudi  be  woven  on  azure  looms  i 
He  is  done  with  all  lovely  things  of  earth  for- 
ever 

And  ever  more. 


57 


AT   PHjEDRA'S  tomb. 

What  old  grey  ruin  can  this  be, 
Beiide  the  blue  Saronic  Sea  f 
What  tomb  is  this,  what  temple  here. 
Thus  side  by  side  so  many  i  year  ? 

This  is  that  temple  Phaedra  built 

To  Aphrodite,  having  spilt 

Her  whole  heart's  great  warm  love  in  vain. 

One  lovely  mortal's  love  to  gain  j 

Yet  trusting  by  that  fervent  will, 

Consuming  and  unconquered  still. 

In  spite  of  failure  and  of  fate. 

By  favour  of  the  gods  to  sate 

Her  splendid  lost  imperious 

Mad  love  for  young  Hippolytus, 

Whose  brilliant  beauty  seemed  to  glow 

58 


AT     PH^DRA-S    TOMB 


Like  a  tall  Alp  in  rofy  tnow, 

While  love  and  patiion,  wind  and  fire, 

Flared  thruui^h  tlie  field  of  her  deaire. 

"  Gre.  1  M;ithei,  -om;;  from  Paphos  now 

With  t)^:iPclitiion  o^:  ■hy  !.ro*. 

And  pit)  !     Not  U-nc3th  tSe  tun 

Lives  such  'inor<icr  hapless  one. 

O  Aphrodite  of  t!ie  sea, 

For  love  have  iiuicy  upon  me ! 

Give  me  his  beauty  now  to  tlake 

This  body's  longing  and  soul's  ache  I 

Touch  his  cold  heart  until  he  know 

The  divine  sorrow  of  love's  woe." 

What  madness  hers,  what  folly  hit  I 
And  all  their  beauty  come  to  this 
Epitome  of  mortal  doom  — 
A  name,  a  story,  and  a  tomb  I 


59 


AT   ph<«:dra's   tomb 


Have  ye  not  seen  the  fog  from  sea 
On  Autumn  mornings  silently 
Steal  in  to  land,  and  wrap  the  sun 
With  its  grey,  cold  oblivion  ? 

The  goddess  would  not  smile  on  her, 
On  him  no  gentler  mood  confer. 
He  still  must  flush  his  maiden  whim ; 
She  still  must  leash  her  love  for  him, 
A  fancy  lawless  and  superb. 
Too  wild  to  tame,  too  strong  to  curb. 
Too  great  for  her  to  swerve  or  stay 
In  our  '.  .'f-hearted  modern  way. 

Have  ye  not  seen  the  fog  from  land 
Blow  out  '  J  sea,  and  leave  the  band 
Of  orange  marsh  and  lilac  shore 
To  brood  in  Autumn  peace  once  more  f 


60 


¥ 


AT     PH^DRA'S     TOMB 


So  there  survives  the  magic  fame 

Of  her  imperishable  name, — 

Light  from  a  time  when  love  was  great. 

And  strong  hearts  had  no  fear  of  fate. 

But  lived  and  strove  and  wrought  and  died, 

With  beauty  for  their  only  guide. 

And  yet  this  temple,  raised  and  wrought 
With  prayers  and  tears,  availed  her  naught. 
The  years  with  it  have  had  their  will ; 
Her  soft  name  is  a  by-word  still 
For  thwarted  spirit,  vexed  and  teased 
By  yearnings  that  cannot  be  leased, — 
The  soul  that  chafes  upon  the  mesh 
Of  tenuous  yet  galling  flesh. 


How  blue  that  midday  shadow  is 
In  the  white  dust  of  Argolis  !  .  .  . 
This  is  her  tomb.  .  .  .  See,  near  at  hand. 
This  myrtle !     Here  she  used  to  stand 
6i 


AT     PHiEDRA'S     TOMB 


Those  days  when  her  love-haunted  eyes 
Saw  her  new-builded  hope  arise, 
Watching  the  masons  set  the  stone 
And  fingering  her  jewelled  zone, 
Or  moving  restless  to  and  fro. 
Her  pale  brows  knit  a  little,  so. 

Look  !  every  leaf  pierced  through  and  through  ! 
I  doubt  not  the  gold  pin  she  drew 
From  her  dark  hair,  and,  as  the  storm 
Of  love  swept  through  her  lovely  form 
With  pique  and  passion,  thrust  on  thrust. 
Vented  her  vehemence.     O  dust, 
That  once  entempled  such  a  flame 
With  beauty,  colour,  line  and  name, 
And  gave  great  Love  a  dwelling-place 
Behind  so  fair,  so  sad  a  face, 
Where  is  thy  wilful  day-dream  now. 
That  passionate  lip,  that  moody  brow  ? 


63 


AT     PH/EDRA'S     TOMB 


Ah,  fair  Greek  woman,  if  there  bloom 
Some  flower  of  knowledge  in  the  gloom, 
Receive  the  piteous,  loving  sigh 
Of  one  more  luckless  passer-by. 
Peace,  peace,  wild  hean  !     Unsatisfied 
Has  every  mortal  lived  and  died. 
Since  thy  dear  beauty  found  a  bed 
Forever  with  the  dreaming  dead. 
In  seagirt  Hellas  long  ago. 
Immortal  for  thy  mortal  woe ! 


*,) 


A  YOUNG   PAN'S   PRAYER 

O  pipes  of  Pan, 

Make  me  a  man. 

As  only  your  piercing  music  can ! 

When  I  set  my  lip 

To  your  reedy  lip, 

And  you  feel  the  urging  man-breath  slip 


Through  fibre  and  flake. 

Bidding  you  wake 

To  the  strange  new  being  for  beauty's  sake, 

I  pray  there  be 

Returned  to  me 

The  strength  of  the  hills  and  the  strength  of 

the  sea. 


A     YOUNG     PAN-S     PRAYER 


0  river  reed, 

In  whori  the  need 

Of  the  journeying  river  once  was  freed, 

As  of  old  your  will 

Was  the  water's  will, 

To  quiver  and  call  or  sleep  and  be  still. 

So  now  anew 

1  breathe  in  you 

The  ardour  no  alchemy  can  subdue. 

And  add  the  dream, — 

The  immortal  gleam 

That  never  yet  fell  on  meadow  or  stream. 


I  breathe  and  blow 
On  your  dumb  mouth  so. 
Till  your  lurking  soul  is  alive  and  aglow. 
Ah,  breathe  in  me 
The  strength  of  the  sea. 

The  calm  of  the  hills  and  the  strength  of  the  sea! 
6S 


A     YOUNG     PAN'S     PRAYER 


Love,  joy,  and  fear. 

From  my  faint  heart  here, 

Shall  melt  in  your  cadence  wild  and  clear. 

With  freedom  and  hope 

I  range  and  grope. 

Till  I  find  new  stops  in  your  earthly  scope. 

The  pleading  strain 

Of  pathos  and  pain. 

The  diminished  chord  and  the  lost  refrain  i 

The  piercing  sigh, 

The  joyous  cry. 

The  sense  of  what  shall  be  bye  and  bye ; 


The  grief  untold 
Out  of  man's  heart  old. 

Which  endures  that  another  may  still  be  bold; 
The  wiser  will 
That  foregoes  self-will 
And  aspires  to  truth  beyond  trammel  or  ill ; 
66 


A     YOUNG     PAN'S     PRAYER 

Ambition  unsure, 

And  the  splendid  lure 

Of  whim  in  his  harlequin  vestiture  ; 

And  the  reach  of  sound 

Into  thought's  profound  ; 

All  these  I  add  to  your  power  earth-bound ; 

But  most,  the  awe 

That  perceives  where  law 

Is  revealed  at  last  without  fault  or  flaw, — 

The  touch  of  mind 

That  would  search  and  find 

The  measure  of  beauty,  the  purpose  of  kind. 

So  with  the  fire 
Of  man's  desire 

Your  notes  shall  outreach  the  mountain  choir. 
Brook,  breeze,  and  bird 
Shall  hear  the  Word, 

And  know  'tis  their  master  they  have  heard. 
67 


In  { 


A     YOUNG     PAN'S     PRAVER 


ni 


And  the  lowly  reed. 

Whose  only  need 

Was  to  sigh  with  the  wind  in  the  river  weed, 

Shall  be  heard  as  far 

As  from  star  to  star, 

Where  Algol  answers  to  Algebar. 

For  the  soul  must  trace 

Her  wondrous  race 

By  a  seventh  sense  on  the  charts  of  space, 

Till  she  come  at  last. 

Through  the  vague  and  vast. 

To  her  own  heart's  haven  fixed  and  fast. 


0  pipes  of  Pan, 
Whose  music  ran 

Through  the  world  ere  ever  my  age  began. 
When  I  set  my  lip 
To  your  woodland  lip, 

1  pray  some  draft  of  your  virtue  slip 

68 


A     YOUNO     PAN'S     PRAYER 

From  each  mellow  throat, 

Ai  note  by  note, 

A  learner,  I  try  for  the  secret  rote, — 

The  rhythm  and  theme 

That  shall  blend  man's  dream 

Of  perfection  with  nature's  imperfect  scheme  I 

Blow  low,  blow  high, 

Your  haunting  cry 

For  me,  a  wayfarer  passing  by ; 

Blow  soft  or  keen, 

I  shall  listen  and  lean 

To  catch  what  your  whispered  messages  mean. 


I  shall  hear,  and  heed 

The  voice  of  the  reed. 

And  be  glad  of  my  kinfollc's  word,  indeed. 

I  shall  hearken  and  hear 

Your  untroubled  cheer 

From  the  earth's  deep  heart,  serene  and  clear. 

69 


YOUNG     PAN'S     PR  AY  BR 


Blow  cold  and  shrill, 

A>  the  wind  from  the  hill, 

I  yet  shall  follow  to  learn  your  will  s 

Blow  soft  and  warm. 

As  an  April  storm, 

I  shall  listen  and  feel  my  loul  take  form. 

Blow  glad  and  strong, 

As  the  grosbeak's  song, 

And  I  mount  with  you  over  hurt  and  wrong  •, 

Blow  little  and  thin. 

As  the  cricket's  din  ; 

But  my  door  is  wide,  and  I  bid  them  in. 


Blow,  blow  till  there  be 

Inbreathed  in  me 

Tinge  of  the  loam  and  tang  of  the  sea, — 

A  vagrom  man, 

Favoured  of  Pan, 

Made  out  of  ardour  and  sinew  and  tan, 

70 


A     VOUNO     PAN'S     PRAVER 

With  the  seeing  eye 

For  meadow  and  >ky, 

The  want  only  beauty  can  latiify, 

And  the  wandering  will, 

The  questing  will. 

The  inquisitive,  glad,  unanxious  will, 

That  must  up  and  away 

On  the  brave  essay 

Of  the  fair  and  far  through  the  long  sweet  day, — 

Of  the  fine  and  true. 

The  wondrous  and  new. 

All  the  warm  radiant  bright  world  through. 


Blow  me  the  tune 

Of  the  ripe  red  moon, 

I  shall  sleep  like  a  child  by  the  roadside  soon ; 

And  the  tune  of  the  sun  j 

When  our  piping  is  done, 

Lo,  others  shall  finish  what  we  have  begun. 

7' 


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A     YOUNG     PAN'S     PRAYER 


For  the  spell  we  cast 

Shall  prevail  at  last, — 

When  fault  is  forgotten  and  failure  past, — 

Prevail  and  restore 

To  earth  once  more 

The  lost  enchantment,  the  wonder-lore. 

And  I  must  attain 
To  the  road  again, 
With  the  wandering  dust  and   the  wandering 

rain, — 
A  sojourner  too 
My  way  pursue. 
Who  am  spirit  and  substance,  even  as  you. 

Then  give  me  the  slow 

Large  will  to  grow. 

As  your  fellows  down  by  the  brookside  grow. 

Ah,  blo'v,  and  breed 

In  my  manhood's  need 

The  long  sweet  patience  of  flower  and  seed  ! 

7» 


A     YOUNG     PAN'S     PRAYER 

O  pipes  cf  Pan, 
Make  me  a  man, 
As  only  your  earthly  music  can  ; 
And  create  in  me 
From  your  melody 

The  strength  of  the  hills  and  the  strength  of 
the  sea ! 


73 


THE  TIDINGS  TO   OLAF. 

This  is  a  question  arose  in  the  Norseland  long  ago. 
About  the  time  of  Tule,  the  season  of  joy  and  snow. 
To-morrow,  our   Christmas  Day,  can  you  answer 

straight  and  true. 
After  these  thousand  years,  when  the  question  comes 

to  you  ? 


Olaf  sat  on  his  throne,  and  the  priest  of  Thor 

stood  by ; 
And  the  King's  eyes  were  grey  as  the  December 

-ky. 

"Whom   shall   we  serve,  O  King  — the   god 

of  thy  fathers,  Thor, 
Who  made  us  lords  of  the  sea,  and  gave  us  our 

land  in  war, 

74 


THE     TIDINGS     TO     OLAF 

"Who  follo',     our  battle  flag  oierthe  barren 

brine, 
Who  braces  the  bursting  heart  when  the  rowers 

bend  in  line, 

"  Who  hath  made  us  the  fear  of  the  world  and 

the  envy  of  the  earth. 
Whose  splendour  sustains  us  in  death,  who  hath 

given  us  plenty  for  dearth, 

"  Or  this  poor,  thought-ridden  Jew,  an  outcast 

whose  head  was  priced 
At  thirty  pieces  of  silver,  this  friendless  anarchist, 

Christ  ? 

"  Is  not  thine  empire  spread  over  the  Western 

Isles  ? 
Are  not  thy  people  sown  wherever  the  sun-path 

smiles  ? 


75 


** 


THE     TIUINOS     TO     OLAF 


"  Do   there  not  come  to  thee  iron  and   gems 

and  corn  ? 
Does  not  thy  glory  blaze  wherever  our  trade 

is  borne  ? 

"Over   the   red  sea-rim  thy   galleys  go  down 

with  the  sun  ; 
Beyond   the   gates   of  the   storm   thy  written 

mandates  run. 

"  Behold,  new  lands  arise  to  the  lift  of  thy  dar- 
ing prows. 

And  health  and  riches  and  joy  prosper  thy  fir- 
built  house. 

"  Is  there  lack  to  thee  of  aught  the  strength  of 

thy  folk  can  give. 
When  the  will  and  the  longing  come  to  stretch 

out  thy  hand  and  live  ? 


76 


THE    TIDINGS    TO    OLaF 


"  Honey  and  fruit  and  wine,  are  they  not  piled 

on  the  board  f 
Do  not   a  hundred    tribes  pay    tribute   to   our 

Lord  ? 

"  Olat",  beloved  of  the  gods  !  Is  there  an  out- 
land  tongue, 

Is  there  pp  isle  of  the  sea  where  thy  praise  has 
not  been  sung  ? 

"  Scarlet  and  silk  and  gold  gleam  on  thy  breast 

and  brow. 
Had  the  kings  of  the  earth  of  old  such  honour 

and  freedom  as  thou  ? 

"  Might  and  dominion  and  power  and  majesty, 

are  they  not  thine  ? 
Will  the  seed  of  warrior  kings  dishonour  the 

war-god's  shrine  ? 


77 


[ji 


ii't 


THE     TIDINGS     TO     OLAF 

"  O  King,  do  I  speik  this  day  in  thy  name,  or 

forevermore 
Let  perish  the  ancient  creed  ?     By  thy  grace, 

is  it  Christ  or  Thor  ?  " 

Olafsat  I  nhis  throne.     And  the  Priest  of  «'hor 

gave  place 
To  a  pale  dark  monk.     All  eyes  were  bent  on 

the  stranger's  face. 

"  O  King,  how  shall  I  speak  and  answer  this 

wisdom  of  eld  ? 
Yet  the  new  trees  of  the  forest  spring  up  where 

the  old  are  felled. 


"When  the  sombre  and    ancient  firs  are    laid 

in  the  dust,  in  your  North, 
The  tender  young  green  of  the  birch  and  the 

delicate  aspen  put  forth. 


THE     TIDINGS     TO     OLAF 


"  I«  the  land  left  naked  and  bare,  because  the 

brush-fires  have  run  ! 
Ye  hav^  seen   the   soft  carpet  of  fern    spread 

down  where  the  blackening  was  done. 

"  With  beauty  God  covers  the  ground,  no  acre 

too  poor  to  befriend. 
That  thou  and  I  and  all  men  may  perceive  and 

comprehend. 

"  He  carries  the  sea  In  His  hand,  He  lights  the 

stars  in  the  sky, 
And    whispers   over   thy    soul  as  the  shadows 

move  on  the  rye. 

"  The  King  has  his  kingly  state,  but  his  heart  is 

the  heart  "f  man. 
Swept  over  by  clouds  of  grief,  then  sunlit  with 

joy  for  a  span. 


79 


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i 

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nesh  and  bone 

I.Ju».„n,„ehofGod>.bci„g,Hi.p««,,. 
wve;  'ed  and  known. 

"Wearep.„ofGod>.  breath,  „,hegu.t, 
whereby  .hyhearth-fi„i,f,„„ed, 

'  7  °!  "'"  -""  """"-wind  that  roll,  the 
breaJterj  to  land. 

«WeareapartofHi.lifc,„,hewave,area 
part  of  the  sea, 

A  moment  uplift  in  the  sun,  then  merged  in 
eternity.  "^ 

"What  is,,  Oman  and  King,, hat  stitches 
Detween  us  twain, 

^""'mainr^  ''"'"  '"«  gi'^  'he  island,  of  the 


So 


:d  with 
reience 

'  guit, 
It  the 

are  a 
;d  in 

chet 

the 


THE     TIDINGS     TO     OI.  AF 

"  What  lifts  thy  name,  Olaf,  aloft  on  the  shout 

of  thy  (p\k.  in  war? 
What  keeps  it  warm   by  the  hearth  ?     Is  it  the 

favour  of  Thor  ? 

"  No  !     '  ;  IS  the  love  of  thy  people,  the  great 

common  love  of  thy  kind, 
The  thing  that  is  old  as  the  sun  and   stroiiijer 

than  the  wind. 

"And,    Olaf,    all    these    things,    these    goods 

which  thy  priest  proclaims. 
That  make  thee  a  lord  among  men,  and  give 

thee  a  name  above  names, 

"  Are  gifts  of  the  spirit  of  love.     Take  away 

love,  and  thy  throne 
visits  liif!  a  word  on  the  air  j  thou  art  a  name 

■  -.iiktiown. 


ij 


THE      I'l  UlNCiS     T<i     o  :.   \  K 

"  h  the  King  heavy  at  heart,  and  no  man  rr 
tell  him  why  ; 

V.  lat    doe«  his  glory   avail  to   put  the   heavi- 
ness by  ? 

"  But  like  any  poor  nameless  •     n  among  men, 

the  mighty   King 
Is  heart<  ncd  among  his  folk  by  the  simple  love 

they  bring. 

"  Is  the   Uing  weary  in   mind,  and   none  can 

lighten  his  mood  j 
What  cheers  him  to   power  anew  but   thought 

of  his  people's  good  ? 

"To  lev      o  know,  and  to  do !     So  we  grow 

perfi      apace, 
The  human  made  more  divine,  as  the  old  to 

the  new  gives  place. 


82 


THE     r  I  t)  I  N  (i  S    TO     O  L  A  F 


"But  who  will   show  ut  the     aj, —  In-  liiitcrii 

and  statfand  girth ! 
Where    is    the  Light    of   the  World   and    the 

Sweetness  of  the  Earth  f 


n, 


"  The  King  has  a  thousand  men,  yet  one  more 

brave  than  the  rest ; 
The  King   has  a  hundred   bards,  yet   one   the 

wisest  and  best ; 


ght 


"The  King  has  a  score  of  friends,  yet  one  most 

accounted  of. 
And  now,  if  these  three  were  one,  in  courage, 

in  wisdom  and  love, 


"  There-  were  the  matchless  friend,  whose  cause 

should  enlist  all  lands. 
Gentle,  intrepid,  and  true.     And  there,  O  King, 

Christ  stands. 


83 


THE     TIDINGS     TO     O  L  A  F 


"Freedom  anc    knowledge  and  joy,  not  mine 

nor  any  'nan's. 
But  open  to  all  the  earth  without  proscription 

or  bans, 

"  Where  is  the  bringer  of  these  ?     His  hand  is 

upon  thy  door. 
And  He  who  knocks,  O  King,  is  a  greater  God 

than  Thor. 

"Olaf, 'tis  Yule  in  the  world;  the  old  creeds 

groan  and  fall. 
The  ice  of  doubt  at  their  heart,  the  snows  of 

fear  over  all. 

«  But  now,  even  now,  O  friends,  deep  down  in 

the  kindly  earth, 
Are  not  the  marvellous  seeds  awaiting  the  hour 

of  birth  ? 


THE     TIDINGS     TO     OLAF 

• 

"  Even  now  in  the  sunlit  places,  do  not  the 
saplings  prepare 

To  unfold  their  new  growth  to  the  light,  un- 
sheathe their  rich  buds  on  the  air  f 

"  And  so,  from  the  dark,  sweet  mould  of  the 

human  heart  will  arise. 
To  enmorning  the  world  with  light   and   this 

life  emparadise, 

"  The   deathless,  young   glory   of  love.     And 

valley  and  hill  and  plain 
And    fields  and  cities  of  men,  they  shall  not 

sorrow  again. 

"For   there  shall   be   freedom  and   peace  and 

beauty  in  that  far  spring, 
And  folk  shall  go  forth  without   fear,  and  be 

glad  at  their  work  and  sing. 


85 


TIDINGS    TO     OLAF 


"  And  men  will  hallow  this  day  with  His  name 

who  died  on  the  tree. 
For  the  cause  of  eternal  love,  in  the  service  of 

liberty. 
«0   King,  shall    the    feet   of  Truth  come  in 

through  thy  open  door. 
Or  alone  out  of  all  the  world  be  debarred  ?     Is 

it  Christ  or  Thor  ?  " 
The  King  sat  on  his  throne,  and  the  two  priests 

stood  by. 
And  Olafs  eyes  grew  mild  as  a  blue  April  sky. 

Thus  wer,  thi  tidings  to  Olaf  brought  in  the  early 

days. 
To  be  a  lamp  in  his  house,  and  a  sign-post  in  the 

ways. 
And  you,  O  men  and  women,  does  it  concern  you  at 

all. 
That  Truth  still  cries  at  the  cross-roads,  and  you 
do  not  heed  his  calif 
86 


THE   PRAYER   IN   THE   ROSE 
GARDEN. 

Lord  of  this  rose  garden, 
At  the  end  of  May, 
Where  thy  guests  are  bidden 
To  tarry  for  a  day. 

Through  the  sweet  white  fal'ing 
Of  the  tender  rain. 
With  thy  roses  theeward 
Lift  this  dust  again. 

Make  the  heart  within  me 
That  crumbles  to  obey, 
Perceive  and  Icnow  thy  secret 
Desire  from  day  to  day ; 


THE  PRAYER  IN  THE  ROSE  GARDEN 

Even  as  thy  roses. 
Knowing  where  they  stand 
Before  the  wind,  thy  presence. 
Tremble  at  thy  hand. 

Make  me.  Lord,  for  beauty, 
Only  this  I  pray. 
Like  my  brother  roses. 
Growing  day  by  day. 

Body,  mind  and  spirit, 
As  thy  voice  may  urge 
From  the  wondrous  twilight 
At  the  garden's  verge. 

Till  I  be  as  they  be. 
Fair,  then  blown  away. 
With  a  name  like  attar. 
Remembered  for  a  day. 


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